Born in Qamishli, Syria, visual artist Kevork Mourad now lives and works in New York City. Mourad employs his technique of live drawing and animation in concert with musicians – developing a collaboration in which art and music harmonize with one another. He has worked with dancers and musicians, has multiple commissions including site-specific drawing-sculptures, created and premiered his prize-winning animated film 4 Acts For Syria at the Stuttgart Animation Festival, and in 2019, had a solo exhibit at Tabari Artspace in Dubai. In October 2020 he also premiered the visuals for Beethoven’s Fidelio for the Korea National Opera. His works are in the permanent collection of the Institut du Monde Arabe in Paris.
For this presentation, Kevork Mourad will share some of his collaborative work with other creative artists across genre.
Kevork Mourad received his Master of Fine Arts from the Yerevan Institute of Fine Arts in Armenia.
Collaborators include Yo-Yo Ma, Kim Kashkashian, the Los Angeles Master Chorale, Brooklyn Rider, The Knights, Perspectives Ensemble, Paola Prestini, and Kinan Azmeh and he has performed in many institutions, including The Aga Khan Museum (Toronto), The Art Institute of Chicago, The American Museum of Natural History, The Brooklyn Museum of Art, The Bronx Museum of Art, Carnegie Hall, ElbPhilharmonie (Germany), Rhode Island School of Design, Nara Museum (Japan), Lincoln Center Atrium, the Metropolitan Museum of Art and The Walt Disney Concert Hall.
Mourad has been a resident teaching artist at Brandeis University, Harvard University, and Holy Cross (Worcester). He is a member of Yo-Yo Ma’s Silk Road Ensemble and is featured in the film “Music of Strangers” (2016).
Recent commissions include Israel in Egypt, for the Los Angeles Master Chorale, Sound of Stone to accompany the exhibition “Armenia!” for the Metropolitan Museum of Art and Well Wish Ya, a dance performance piece with the OYO Dance Troupe in Namibia. His performance Home Within, co-produced with clarinetist Kinan Azmeh, has toured the world. In September 2019, he exhibited at Latitude, in Yerevan, Armenia, alongside Imran Qureshi, Roberto Pugliese, and Walid Siti. That year he was also commissioned by the Aga Khan Foundation to create a site-specific 20-foot drawing-sculpture called Seeing Through Babel, at London’s Ismaili Center, addressing the importance of diversity in our contemporary times. The piece was exhibited starting in October 2020 at the Asia Society Triennial in New York.
